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Time-tested and couple-approved dates range from grabbing a beer or coffee to going dancing or even taking a stroll through the park.
In an inversion of a western trope, in the 70s and late 80s, the common image of a female delinquent had an extremely skirt, but this appears less frequently these days.

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Membership is open to anyone who has never parented.

"We wanted to provide an opportunity for people in our same situation to share their experiences with new friends, and not feel alienated because of their decision to not parent," stated one co-founder of the Baltimore Chapter. has sponsored many activities, including: monthly dinners around town, snow tubing, movie nights, game nights, Orioles games, fairs, festivals and concerts, dinners in Little Italy, wine tasting festivals, skydiving and craft fairs.

This year, Ali's put out an even more gnarly and embattled anthem—the collage-like 'Keep Movin [Negro Kai].' It's a Coltrane-meets-Fela free jazz-rap howler produced by Ali and Mental Jewelry and if you didn't see him this year flitting about the stage yelling the song's climax of "I want to be free" you missed a moment of catharsis unlike any other (especially at The Crown on what turned out to be the last night of the city's curfew).

"The world stopped when the terrorists/ Killed 12 people in Paris," DDm raps, "They murder millions overseas from Kenyan to Congolese/ But nobody give a fuck about no nigga shit." Meanwhile, producer Paul Hutson's beat never quite settles down, because how could it when the topic is global chaos?

-Chiffon, 'Venerable': A maximalist, stitched together retrofuturistic R&B collage that recalls all of those bizarre, trippy instrumentals that popped up on R&B-pop in the late '80s.

Natural Velvet, 'Fruits' (Friends Records) Natural Velvet tends to pull from heavy-sounding shoegaze and post-punk influences, but what makes this song a standout is just how crystalline it is.

Singer Corynne Ostermann's simple-yet-sweet "uh-oh-oh" melody was one of the best damn ear worms of the year and, with it sung after each verse over lightly jangling guitars, the song is heavy on hooks.